Multistory Tree
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innocence love
It should be mentioned that in those days most of the small boys of the quarter were not much interested in the affair of the small and strange beggar. Whenever the details and the implications of the story of the beggar used to be mentioned and discussed fully by some of us, all the rest of the boys did not show any interest in the affair of the life of the small beggar. All what they did was just to have a look of the small beggar in their going to the square and in their coming back to their homes. For them, to most of the small boys, the beggar was something normal and did not attract their full interest or attention. Beggars at that time in our community were witnessed everywhere.
This is an excerpt from the writings of fOOnOOn's dad. Continue reading!
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Spectator: "What does your art mean?" fOOnOOn: "You may understand it, but you'd rather not, because if you think you did, that wasn't it!" fOOnOOn's artworks don't have definite meanings. They are not intentions with which to start, but rather, results in which to end up. They are not understanding or logic, but beyond! They are Expressions of Innocence, Sarcasm, and LOVE.
fOOnOOn had not known love or loss until he risked losing his beautiful love. Learning that automation plans to attack her shattered his simple life, and now he knows he has to stop it, or his heart will die. He will now acquire captious crossbows, to, hopefully, be able to stop the attack. fOOnOOn always finds himself troubled by his simple ideals and then becomes overwhelmed with moral questions. Will his conscience allow him to do whatever is needed to stop automation?
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Colorful Quran
ColorfulQuran.com is another fOOnOOn artwork. Read the entire Holy Book, fully colored, in original Arabic, with English translations and transliteration, fill-in-the-blanks memorization exercises, and always changing colors and shapes!. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .