Last Wish
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innocence love
Since the early morning and from sunrise I stationed myself in a place in the square from which I could easily see and watch anything that would happen to the beggar. In fact, I was sitting on a somewhat big stone and I was directing my vision towards the place where the beggar was squatting.
This is an excerpt from the writings of fOOnOOn's dad. Continue reading!
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Spectator: "What does your art mean?" fOOnOOn: "You may understand it, but you'd rather not, because if you think you did, that wasn't it!" fOOnOOn's artworks don't have definite meanings. They are not intentions with which to start, but rather, results in which to end up. They are not understanding or logic, but beyond! They are Expressions of Innocence, Sarcasm, and LOVE.
fOOnOOn had not known love or loss until he risked losing his beautiful love. Learning that automation plans to attack her shattered his simple life, and now he knows he has to stop it, or his heart will die. He will now acquire captious crossbows, to, hopefully, be able to stop the attack. fOOnOOn always finds himself troubled by his simple ideals and then becomes overwhelmed with moral questions. Will his conscience allow him to do whatever is needed to stop automation?
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Colorful Quran
ColorfulQuran.com is another fOOnOOn artwork. Read the entire Holy Book, fully colored, in original Arabic, with English translations and transliteration, fill-in-the-blanks memorization exercises, and always changing colors and shapes!. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .